The prophecy from Christ that “you’ll know them by their fruit” was never more true than it is today. As in music artists, rappers and the like, their “fans” are their “fruit” and what their fans do is how you know them and what spirits they rep.
Like some rappers and artists have “sleeper cell” fans that do evil shit, like steal, kill, torture, rape, murder, send viruses online, bully, etc. The “fruit” are interchangeable from artist to artist who share the same mentalities, characteristics, morals and values (or lack of them there-of); so a Kanye fan may also like Jay-Z, 50 Curtis Jackson Cent and Li’l Wayne (for instance) because they’re all marketing to the same demographic of stupid, uneducated, lazy, arrogant, self-absorbed, self-entitled, materialistic, self-gratifying, video game-playing, good for nothing, bigoted, racist, greedy, grabby, ghetto-fabulous, paper-chasing, ass-chasing, thieving, bullying, raping and murdering ignorant-assed subhumans. But very few from this demographic will also get into music by an intelligent, sophisticated ex-street thug like Motuphi (so they’d never be at one of his concerts or shows).
Motuphi mastered a skill very few musicians of this era are even aware of: The “repellent” ability, which was something that really cool music artists who weren’t driven by greed utilized to create crowds from like-minded people so there’d be no clashes at shows, because those who don’t fit-in with the fan “family” won’t really get into the music and won’t be in attendance. Motuphi learned about this artist-manipulated crowd “control” from attending so many concerts in Detroit during the 1980s and early ’90s.
Motuphi wrote extensively of the types of people who used to go see Aerosmith, Autograph, Krokus, Motley Crue, and other Rock, Metal and Punk bands of the era. Motuphi didn’t like how the dregs, lowlifes, drunks and junkies robbed and bullied the more sophisticated people (“nerds”) who attended the shows. It always bugged him when they went out to find their cars broken into or vandalized (“ruined the experience” for him). It made Motuphi study “draws” (“draw” is the term used to describe the people/fans drawn to an artist’s or a band’s concerts and shows) and how he might control who attended his shows. If only there was a way to “weed-out the bullies and bugs from the audience so the cool people could have the good night they paid for”.
Motuphi noticed that only a certain demographic attended church venues, for the most part; but they were all religious in nature. He knew he was “onto something, but didn’t quite understand what yet”.
The real breakthrough came for him when he and his wife attended a Rod Stewart concert at the Palace of Auburn Hills with his wife’s father and his wife (“Cuzin”, who was reputedly Motuphi’s best friend). Rod Stewart was 52 years old at the time and Motuphi wrote of how it was the best show Stewart had ever done to that date. But what Motuphi took the most notice of was the “draw”. The people in attendance were all really cool, sophisticated people who’d all look-out for each other and refrain from bullying or victimizing each other. There were kids and teenage girls dancing and singing to the songs and elderly people and middle-aged people all getting into the show together. The atmosphere created by the crowd was “magical”…Motuphi wrote that it was the “best” concert he’d ever attended and the “reason” was because of the “really cool crowd”. This was from a guy who’d seen all of the big acts of the ’80s that went thru’ Detroit and he heralded Rod Stewart as putting on the best show of all of them (and at 52 years old, at that, much older than the other guys were when he saw them perform).
Motuphi eventually mastered that draw “quality control” technique with his music that Stewart had mastered. It must’ve taken some time and a lot of trial and error to hone the ability. But now, only a certain demographic will be drawn to Motuphi’s music; so his fan base is comprised only of like-minded, sophisticated, high quality people who’d never victimize each other or embarrass him by causing unnecessary suffering on Earth. This is a major accomplishment if you give it some thought. Motuphi draws fans who’ll fight against unnecessary suffering and try to make positive impacts in the world. He appears to have no interest in drawing any other type of fan for any amount of fame or fortune and has even taught against acquiring “empty fame” like that (that could cause unnecessary suffering from a fan turned “sleeper cell” that can commit an artist to undesirable time loops of judgement and eternal execution for supplying that negative influence).
So the scripture “you’ll know them by their fruit” is evident here.
"Their" fruit/fans are "sleeper cells" that’ll murder innocents (like Al Potter, Tayshana Murphy and 300 or so Chicago kids), and commit rapes they’ll film and share online for bullying purposes, and rob and steal what they did not work for, and sling dope, and send computer viruses, and be embarrassingly uneducated, bigoted and racist and too stupid to know that saying "cracker" is just as racist as saying "nigger" (and publicly show it), and neglect animals while preferring the inanimate objects man programmed them to want (to fill his pockets)…
Motuphi’s fruit/fans are all direct opposites to all of that, as they’re actively engaged in battles against most of it, even now…
This is an interesting subject that many have probably never even considered…But Motuphi used to inspire genius brain exercises, like urging his students to “meditate” on advanced subjects and ideas: like how long it takes for solar flares to make it to Earth from the Sun. Which started a dialogue about the solar energy we receive always being like 3 days old (I forgot the exact figures) or something like that. These are deep levels of the brain that Motuphi taught his followers to reach that other music artists and rappers don’t even have a clue about and wouldn’t waste their time empowering their fans with if they did (because it doesn’t sell records). That’s the supremacy we’re looking for in fruit generators…”Quality control” mentality (a sense of responsibility to it)…No other rapper has ever done that…ever. They’re just not deep enough to do it (they’re all about themselves, fame and fortune, here and fuckin’ NOW, which does their fans a whole lotta’ good…not).
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